★★★★ Isadora Duncan’s spirit has been honoured, even if the impact of her presence remains elusive.
★★★ The Washington Ballet new program titled Balanchine + Ashton showcased four works by the two great choreographers, who “forever shaped our art form,” as the company’s artistic director, Julie Kent, put it in her opening remarks.
★★★★ Alina Cojocaru’s choice of works for her brief season at Sadler’s Wells provided an insight into her priorities as she reflected on her career: live music-making and dance-making that has something to say.
Lynette Halewood with some reflections on London dance performances over the last year – the good and the less good…
★★★★ Richard Alston’s title for his company’s last tour before it closes in 青海福彩app官方下载 is Final Edition. The autumn run ended with four performances at The Place, in a programme aptly called Alston At 青海福彩app官方下载.
★★★★ The Royal Ballet’s current production of The Sleeping Beauty, dating back to 2006, is a homage to Ninette de Valois and her faith that Marius Petipa’s Imperial Russian ballet should be the flagship of her British company.
Ashton Rediscovered Masterclass: “Foyer de danse”, coached by Ursula Hageli & Christopher Newton, and the “Le Papillon” solo, coached by Wayne Eagling. Jann Parry with a detail report for DanceTabs..
★★★★ The title of the latest triple bill in the Linbury studio theatre is taken from The Observer’s dance critic’s review of the Merce Cunningham 青海福彩app官方下载’s arrival in Britain in 1964.
★★★★ It is all too easy to assume that the first triple bill of the Royal Ballet’s autumn season celebrates its creative heritage from the 1960s. In fact, two of the ballets were made for other companies…
Gallery by Foteini Christofilopoulou…
Pam Tanowitz, well known in New York, just created her first work outside the States – for the Royal Ballet. It’s been a critical success and Jann Parry (who gave the work 5 stars) finds out what makes her tick and why so many directors are seeking Tanowitz out…
Royal Ballet – Merce Cunningham celebration: Cross Currents, Monotones II, Everyone Keeps Me – London
★★★★★ Quite some achievement by Pam Tanowitz, to have followed treasured works by Cunningham and Ashton with one that pays homage to both, yet stands on its own as her distinctive tapestry of dance.
Featuring works by Merce Cunningham, Frederick Ashton and Pam Tanowitz. Gallery by Foteini Christofilopoulou…
Royal Ballet dancers at the Joyce Ballet Festival – Program A, An Evening of Solos and Duets – New York
★★★ Program A consisted of a string of solos and duets representing a slice of the company’s choreographic trajectory, from Frederick Ashton through Kenneth MacMillan to Liam Scarlett, Wayne McGregor, and Charlotte Edmonds.
Although Valerie Lawson’s context is wide-ranging, she brings individuals into focus with personal details, shining a spotlight onto their roles in Australian dance history. Lavishly illustrated with photographs from Australian archives, her book gives vivid life to long-gone personalities.
★★★★ The choice of works emphasised ensembles more than individuals. It was interesting to see large numbers of young men dancing together, as well as a more usual female corps de ballet.
★★★★ The show overall gave us a good slice of what ballet is in 2019, and just how adaptable the students need to be these days – exciting times for them and exciting for us in the audience as well.
★★★★ Big-hearted, whimsical, suffused with equal parts romance and drollness, Hobson’s Choice is a gem of the BRB repertoire – long may it keep being revived.
★★★★ Royal Ballet School at the ROH Young Talent Festival with a mixed bill of over 10, new and old works…
★★★★ The Royal Ballet did themselves a lot of good with the last new bill of the season – a one-off celebration of Margot Fonteyn. There was much to be reminded of and be proud of.